Nature has its way to teach life Continue reading on Medium »

Ao contrário de muitos, nesse carnaval fiquei mais em casa do que na rua. E, entre os pratos pra lavar, as roupas pra dobrar e a bagunça…Continue reading on Medium »

柏林的冬天，黑夜来得很早。Continue reading on Medium »

Filming location then and now from Our Gang / The Little Rascals movie Dog Heaven, 1927 vs Today. More then and now filming locations…Continue reading on Medium »

If the only thing that stood between you and $28 billion was seven relatives you barely knew, what would you do? Based on a 1949 film that…Continue reading on Medium »

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Release Date: General release/streaming: October 10, 2025 on HBO MaxContinue reading on Medium »

This piece was originally published by Film Inquiry on February 18, 2026.Continue reading on Medium »

A Sci-Fi Thriller with Alien Creatures, an Underwater Lab & Bikinis…...and streaming near youContinue reading on Medium »

We finally know who will be voicing the one and only Amy Rose in the upcoming Sonic the Hedgehog 4. The pink, hammer-wielding hedgehog…Continue reading on Medium »

The various meditations I’m seeing circulate on Emerald Fennel’s new movie, “Wuthering Heights” decry it as a deplorably bouncy movie…Continue reading on Medium »

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"It just, last-minute, Gerard [Butler] decided he didn’t want to go forward with it and there wasn’t a lot of discussion about it. He just… two weeks out, he pulled out and we were sort of left trying to figure out what to do. And eventually, that dissolved." Butler wasn't expected to star in Ship but continued to serve as a producer on the film through G-BASE, meaning he still had an overall say in the film. submitted by /u/Comic_Book_Reader [link] [comments]

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Sometimes it is not the whole movie. It is one scene. One look. One line reading. And you just know this person can act. For me it is Ben Foster in 3:10 to Yuma. The campfire talk with Russell Crowe. He is calm, but you can feel how dangerous he is. Half the tension is just on his face. Also Haley Joel Osment in The Sixth Sense. The car scene with Toni Collette when he finally opens up. It feels raw and real, like a kid finally telling the truth he has been holding in for years. What is your pick? Name the movie and the exact scene that sold you. Thank you. submitted by /u/gamersecret2 [link] [comments]

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I know a movie isn’t going to magically fix anything—I just need a gentle distraction. I’m in the mood for something light, preferably a good romantic comedy. My four all-time favorites are Crossing Delancey, The Princess Bride, Shiva Baby and Disney’s Beauty and the Beast. Other movies that always make me smile: Bringing Up Baby Beauty and the Beast (Jean Cocteau) Perfect Days Modern Times Safety Last! Gentlemen Prefer Blondes Raising Arizona Bottoms Defending Your Life The Muppet Movie I know that’s a long list, but I’d really love something new to me. Any suggestions? submitted by /u/BalaBustaRhymes [link] [comments]

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Disowned at birth by his wealthy family, Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way. Director: John Patton Ford Cast: Glen Powell, Margaret Qualley, Jessica Henwick, Topher Grace, Ed Harris, Zach Woods Rotten Tomatoes: 51% Metacritic: 54 / 100 Some Reviews: The Wrap - Matt Goldberg - 4 / 5 How to Make a Killing has the acuity to know that even if you are willing to play such a rigged game in ruthless fashion, you’ll still lose. The film’s magic trick is taking this bleak idea and knowing how to find the fun in such brutal sport. Slash Film - Bill Bria - 7 / 10 Powell's Becket recalls similar upwardly mobile antiheroes like Saul Goodman or Michael Corleone, characters who seem to be living a wish fulfillment of righteousness, only to find themselves trapped by the persona they've built up. It's this aspect which Ford addresses most subtly, ultimately making "How to Make a Killing" a cleverly scathing indictment of the American dream as it stands. It's also an impressively multi-layered indictment, too, for while it'd be easy (and rather popular) for Ford to point out how the haves and the have-nots aren't all that different from each other if they were able to switch places, the filmmaker instead leans into the complexity and systemic issues surrounding wealth and success. "How to Make a Killing" is a movie that sneaks up on you, and like Becket himself, doesn't simply stab you in the chest or punch you in the gut. Instead, it slowly poisons you, leaving you bewildered by the end as to how sick you and the country you live in has become. AV Club - Jacob Oller - 'C' At the center of it all is Powell, making the same face for an hour and 45 minutes, too unflappable to root for, too smug to magnetize as an inhuman American Psycho. And How To Make A Killing needed to pick a side, either of clownish class comedy or of bitter sociopathic satire. Its split-difference approach certainly racks up a sizable body count, but its most battered and bruised victim is the truism it keeps hitting: In America, there are no consequences for the rich, unless other rich people desire it. That’s almost funny, in an empty and respectable way, like how a New Yorker cartoon is almost funny, or how Glen Powell is almost a leading man. Next Best Picture - Matt Neglia - 6 / 10 As someone who absolutely loves any kind of a crime film, “How To Make A Killing” can be entertaining at times as a morality play wrapped in designer suits and generational spite. It’s juggling a lot more than it needs to, and it never fully synthesizes its most perceptive ideas, but it’s powered by another star performance from Powell, keeping it barely afloat. Slant Magazine - Alexander Mooney - 3 / 4 The brittle humanity of Ford’s characters is the key ingredient to his film’s grim sense of irony. In a media landscape replete with hot-button satires and airless farces, How to Make a Killing’s rejection of formal frippery and easy caricature is refreshing. Ford cultivates an old-school flair while keeping one finger on the pulse of the current moment, shrewdly retooling the canonical story of a rotten family patronage to comment on a quintessential American birthright: the compulsive desire for individual gain. Variety - Owen Glieberman It’s likely that 95 percent of the people who go to see “How to Make a Killing” will never have seen, or even heard of, “Kind Hearts and Coronets,” the 1949 British black comedy it’s a remake of — or, I should say, a reimagining, since for once that marketing-spin term applies. In its day, “Kind Hearts and Coronets” was wickedly outrageous. But in the age of “Dexter” and “Succession” and “Beef,” “How to Make a Killing” just plays as a patchy amusement. Yet I was held by it; the film’s acrid riffs on the hidden depravity of the new greed culture keep it aloft. And each time Margaret Qualley shows up, she gives the movie a charge, because of how her Julia incarnates money hunger cut off from everything else. Qualley somehow makes that fun, maybe because it’s the one thing in the movie that everyone can agree on. submitted by /u/ChiefLeef22 [link] [comments]

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Hey reddit! I'm Bart Layton. You might know me as the director of AMERICAN ANIMALS and THE IMPOSTER. My new film, CRIME 101, is out in theaters worldwide now via Amazon MGM. It stars Chris Hemsworth, Halle Berry, Mark Ruffalo, Barry Keoghan, Monica Barbaro, Nick Nolte, Corey Hawkins, and Devon Bostick. It's out in theaters everywhere now. Synopsis: A master thief and an insurance broker join forces for a big heist, while a determined detective pursues them to prevent the multi-million dollar crime. Trailer: https://www.youtube.com/watch?v=f5y-cziwmMw Ask me anything, r/movies. I'll be back at 3 PM ET today to answer your questions. submitted by /u/BartLaytonAMA [link] [comments]

Exactly like the question says. What’s the most badass line from a movie that’s not generally associated with being particularly legendary? Maybe the movie is lame, but has this awesome moment. Maybe it’s a movie aimed at kids, but has one line that goes hard, et cetera. I’ll start! It’s from a movie that deserves a bit more praise than it gets, unexpectedly dropping the hardest line of all time. From Sonic the Hedgehog 2: “Do I look like I need YOUR power?” submitted by /u/msparks2 [link] [comments]

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Is that scene about a wounded ego, or is it a status check? On the surface, it looks like Tommy gets his feelings hurt. For a second he seems honestly confused, like Henry just called him a clown in front of everyone. But Tommy has clear sociopathic tendencies. He enjoys pushing people to the edge and watching them squirm. Add in his Napoleon complex and it makes even more sense. He’s small, volatile, and obsessed with respect. The sudden switch in tone feels less like insecurity and more like a reminder that he decides when people laugh and when they panic. As for Henry, the fear makes sense in that moment because they’re in public and the power dynamic is on display. Tommy’s unpredictable, and everyone at that table knows he’s capable of real violence over something minor(Spider’s killing later in the film). When they torch the Bamboo Lounge together, Henry scolds him because the setting is different. They’re alone, partners in crime, not performing for an audience. Henry isn’t fearless. He just understands when Tommy is posturing and when he’s actually unstable. At the table, with witnesses and pride involved, the risk feels real. Insight into the real-life Tommy from Pileggi’s ‘Wiseguy’ made me think about this. It also made me think about Scorsese’s genius at work. Did he layer the scene in a way that every choice Pesci makes is open to interpretation? Is Tommy actually humiliated for a second, or is he entirely in control, and just running that power check on Henry? Scorsese doesn’t force a single answer. Instead, he lets the tension live in the ambiguity. The fear in Henry is real either way, but the audience is never sure if it’s ‘cause Tommy’s ego is bruised or because he’s testing who’ll break first. submitted by /u/jaystats2 [link] [comments]

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The guy was in absolutely EVERYTHING. I can’t think of another actor that prolific…one quite likely to show up in whatever movie or TV show I happen to be watching. He was a great character actor too, with a distinctive voice that added so much to his roles. His presence in sitcoms alone was ubiquitous, whether as a lead actor or one-time character. He was especially awesome in WALL-E. submitted by /u/MythicalSplash [link] [comments]

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New In Theaters: Wuthering Heights Good Luck, Have Fun, Don't Die Crime 101 GOAT The Moment Whistle 25th Anniversary Throwback Discussion Threads: Saving Silverman Hannibal Oscar Nominated Marty Supreme Hamnet It Was Just an Accident Sentimental Value One Battle After Another Sinners Train Dreams Bugonia Blue Moon Frankenstein F1 The Secret Agent Train Dreams Song Sung Blue If I Had Legs I'd Kick You Still In Theaters: Dracula (2026) The Strangers: Chapter 3 Send Help Iron Lung Shelter Mercy Return to Silent Hill New On Streaming: The Rip People We Meet on Vacation Dust Bunny Wake Up, Dead Man Jay Kelly submitted by /u/LiteraryBoner [link] [comments]