A personal and national reckoning with ownership, collapse, and revival in Zimbabwe’s cement industryContinue reading on Medium »

One man’s bold move from Harare to Bonyongwe reveals the promise — and perils — of rural industrialization in Zimbabwe.Continue reading on Medium »

We are pleased to announce the participants in the June 2026 Africa Train-the-Trainers program. It had 19 journalists, trainers and…Continue reading on The Whole Story »

Disclaimer: This article draws on the Associated Press, ACLED, SBM Intelligence, the Nigerian Financial Intelligence Unit (NFIU), UNICEF…Continue reading on Medium »

The standard American education system treats slavery and its aftermath like a regrettable chapter that ended with a nice amendment, some…Continue reading on Bouncin’ and Behavin’ Blogs »

I'm from Botswana and I'm on a gap year from engineering school (My mental health was declining). I thought hey, let me try and explore my creative side, when I was growing up I wanted to be a movie writer/director. I gave up on that dream quick when I realised Botswana's film scene is practically dead. We only have two theatre's in the entire country and all our film makers are struggling. Film has always been tough even in the West but it must be harder when there's no infrastructure where you're from. Then I thought hey yknow what, that's fine. I can tell stories in other mediums, so I tried being a comic writer, but then you have to payartists (which is fine), it's that comics is also a non existent medium in Botswana, we have no comic shops and most Batswana see them as childish and with that there are barely any comic artists here. I thought hey ill hire an artist online and we can make digital comics that appeal to an international audience, ill hire one abroad. I learnt the standard is to pay artists in USD dollars, even if i was to hire fellow Africans, and at bare minimum id have to pay 30k pula (our currency) for one 22 page issue where as an American would pay 4k for that to their fellow American, and heck lesser if they want an artist not from the west. You could crowdfund, but most crowdfunding platforms (kickstarter and indiegogo) aren't even available to Batswana. One could say build an audience on places like youtube or substack to try and use that money to pay an artist, well they arent monetized here. Indie animation then since others are trying it online, well to try and tell a full story (20 minutes) is expensive, and you cant do it on your own. Most indie guys use kickstarter, which is unavailable here. Then I tried writing a fantasy novel, of which only one Motswana was able to break into western publishing, I actually met her online. She moved to Chicago, and she encouraged me to try, I sent her some of my writing, and she says I have potential, I just gotta keep at it and try. Breaking in from Botswana is possible but man, apart of me feels so much doubt, like Im wasting my time. My heart keeps telling me to try but deep down apart of me thinks creative dreams arent for those of us Africans who live outside of Nigeria and SA. That some of these things are western privileges. I look outside, see the dust, see the struggle, the power cuts, the water cuts, the lack of paved road and see my village and feel empty, I feel numb because this was when I realised where I live, where I was born has predetermined what I can or cannot do. Living in a country with nothing, a country that's in the middle of nowhere. Where most of us drink our sorrows away in poverty, or aim for the same careers to just survive, engineer, doctor, lawyer, accountant. No passion, no love, just survival. Even the rich and successful that made it via these professions, feel numb, they just drink all day. Sometimes I feel tired being an African, tired of having to squash my dreams because I wasn't even afforded the possibility of trying. I'd rather be an American with a 1% chance of succeeding in the arts, than a Motswana with a 0% chance of success. Im tired. submitted by /u/Mental-Statement2941 [link] [comments]

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The Road into the Unknown.Continue reading on Medium »

Excavations ahead of a hydroelectric dam uncover the earliest radiocarbon-dated burials and sole known cremation in pre-colonial AngolaContinue reading on The Academic »

Kenya has established itself as one of Africa’s leading digital economies. Driven by innovation in fintech, e-commerce, telecommunications…Continue reading on Medium »

Choosing a stablecoin liquidity provider is one of the most consequential operational decisions a fintech, exchange, or remittance…Continue reading on Medium »

Everyone was looking at Nvidia. Nobody was watching Lagos.Continue reading on Medium »

This isn’t anything new, but recently I’ve been seeing more videos of people “trying African food” while disrespecting dishes from specific countries. Africa is a continent, every country and region has its own food, traditions, and history. So why do people keep referring to the entire continent as if it’s one culture? It’s not just food either. People constantly say things like “African culture”, “African clothes” or “African music”, you don’t see people casually referring to “North American food” or “European clothes” as if those continents are culturally uniform. If I said “North American food,” most people would probably ask, wtf is that? So why is that level of ignorance considered acceptable when it comes to Africa? submitted by /u/BeneficialAnybody514 [link] [comments]

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Burkina Faso has introduced new regulations banning humanitarian organisations from using photographs and videos that portray vulnerable people in degrading or exploitative ways, in a move officials say is aimed at protecting the dignity of aid recipients and reforming the country’s humanitarian sector. The decree, approved by the Council of Ministers under the Ministry of Humanitarian Action and National Solidarity, is part of a broader package of reforms affecting how non-governmental organisations (NGOs) operate in the country. Article where the decree can be found in French. submitted by /u/Bakyumu [link] [comments]

The ⁠true ⁠number of Ebola cases in the Democratic Republic of the Congo (DRC) is likely ⁠at least double the official tally, according to a World Health Organization (WHO) official. The WHO has confirmed at least 1,963 cases, ⁠and at least 719 ⁠have died. Speaking after visiting the region, Chikwe Ihekweazu, the Executive Director of the WHO’s Health Emergencies Programme, said most deaths occurred in the family environment and not in medical centres. submitted by /u/HoldMyBeer50 [link] [comments]

Remembering the American veterans who died while serving together in the Egyptian Army after the civil war. Those of them who died in Egypt or Sudan were mostly buried as it is forbidden in the Islamic religion to cremate the corpse, also Christians and Jews living there at the time (and still today) only buried their deceaseds. My deepest regards from Egypt .. Source: “The blue and The Gray on the Nile” written by William B. Hesseltine & Hazel C. Wolf ————— 1- Cornelius E. Hunt Civil War record: master’s mate, Confederate States Navy 1870: Arrived in Egypt. 1871: Assigned to teach in military school at Aboukir, Alexandria. 1873: Died February 28 of injuries sustained in fall from horse. ————— 2- Edmund Parys Civil War record: acting ensign, U.S. Navy 1871: Arrived in Egypt. Signal corps. 1874: Died in Egypt, April 13. ————— 3- William P. A. Campbell Civil War record: 1st lieutenant, Confederate States Navy - CSS Rappahannock at the French port Calais 1870: Arrived in Egypt. In charge of khedivial steamers between Alexandria and Constantinople. 1874: To Sudan in expedition with British general Charles Gordon; died from cholera in Khartoum on October 10. ————— 4- Frank A. Reynolds Civil War record: lieutenant colonel, Confederate States Army 1870: Arrived in Egypt. Loring’s staff. 1873: To U.S. as inspector of arms purchased by khedive Ismael. 1875: Died in Ilion, N.Y., during an errand to purchase Remington rifles for the Egyptian army, still in Egyptian service. ————— 5- Alexander Welch Reynolds Civil War record: brigadier general, Confederate States Army 1870: Arrived in Egypt. Loring’s staff. 1876: Died after his son Frank with one year in solitude and poverty, in Alexandria, Egypt in May 26. ————— 6- Robert Schuyler Lamson Civil War record: none - too young From New York city. His maternal grandfather was (Robert Schuyler) a prominent financier, steamboat operator, and railroad president. He served as president of five railroads, including the New York & New Haven and the Illinois Central, and was known as "America's first railroad king". 1875: Arrived in Egypt. Member of Ratib Pasha’s staff. 1876: Gura campaign in Ethiopia. Went to Darfur, and died there from malarious fever in October 18. ————— 7- Charles Frederick Loshe Civil War record: lieutenant, U.S. Volunteers (from Germany) 1875: Arrived in Egypt. 1876: Gura campaign; chief of transportation, quartermaster, and commissary. Surveying on Red Sea coast. 1878; To Red Sea coast; died at Suakin in September 2. ————— 8- Henry Irgins Civil War record: sergeant, U.S. Volunteers He received the rank of captain in the Egyptian army. 1876: Arrived in Egypt. Gura campaign; assistant to chief engineer and confederate officer ‏Henry C. Derrick. 1878: Discharged like most American officers due to financial reasons; died in Liverpool en route to US. ————— 9- Erastus Sparrow Purdy Civil War record: brevet lieutenant colonel, U.S. Volunteers 1870: Arrived in Egypt. 1871: Expedition to map area between Cairo and Suez and between Kenneh on the Nile and Kosseir on the Red Sea. 1874: Expedition with confederate officers Raleigh E. Colston and Alexander M. Mason, a hydrographic survey of bay and harbor of Berenice, exploration and mapping of Bishereen Desert between Berenice and Berber, Colston to conduct special survey of ancient gold mines at Derehib in Wadi Allakee, all to return via Korosko Desert and city. 1878: Discharged. 1878-1881: Civilian employee of khedives Ismael and then his son Tawfiq until his death in Cairo, June 21, 1881. submitted by /u/ismaeil-de-paynes [link] [comments]

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